A 5×3 Habanero slot from 2016 where a golden Caesar coin doubles any line prize it lands on, with twin random progressive jackpots running above the reels.
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Roman Empire sits in a slightly unusual spot in the Habanero catalogue. It's a 2016 release, which means it ships without the modern conveniences most studios glue onto every new title: there's no buy menu, no Super Bet ante toggle, no megaways-style expanding grid. What you get instead is a straight 5×3 cabinet with 25 fixed paylines and one mechanical hook that does most of the heavy lifting. That hook is the Caesar coin, sitting pinned in the top-right of the UI under a label that just says Doubles The Prize. When a Caesar coin lands on any winning line, that line's prize is multiplied by 2x. The evaluation is per-line, not per-spin, so a single spin can resolve with one line doubled and two others paying flat depending on where the coin physically appears.
Free spins trigger from three or more scatters landing anywhere on the grid, and the prompt above the reels confirms it directly: 3 Or More Anywhere Triggers Feature. The Caesar coin stays in the symbol pool during the bonus, so the doubling mechanic carries through. There's a gamble feature attached to base-game wins, an old-school double-or-nothing card guess Habanero used to ship with most of their early-era titles before quietly retiring it from newer releases. The 25 paylines are fixed (no toggle to reduce them), and the minimum stake is 0.25 with a hard ceiling at 500 per spin. The default bet sits at 12.50, calculated from 25 lines at 0.50 coin value and one bet level.
What's slightly underwhelming is the jackpot presentation. Twin random progressive jackpots ride above the reels (Grand and Minor), but they're drawn from the older traditional dual-pool architecture rather than the newer Jackpot Race network Habanero uses on more recent titles. Either can drop on any paid spin without a symbol requirement, but the Minor seeds at just 50 in the demo's EUR display, which feels more cosmetic than genuinely game-changing. The art holds up better. The cabinet sits inside the arched stone arcade of a Roman amphitheatre at dusk, lit blue against silhouetted columns, and the wordmark up top is engraved in classical Trajan-style serifs flanked by golden eagles. The card royals are filled with mosaic-gem inlay rather than printed pips, which is a small but nice touch.
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