Paylines
14 fixed paylines
Picture a twilight temple where violet clouds drift between marble columns, and a red-haired goddess lounges inside a giant gilded hoop. That’s the staging Hacksaw Gaming chose for Rise of Fortuna, a June 2026 release that hands the entire concept of “luck” to its mythological mascot. No clovers, no horseshoes. Just Fortuna, her wheels, and a jackpot ladder glinting on the left margin.
Mechanically it’s a 5×4 cabinet with 14 fixed paylines, an RTP of 96.28%, and high volatility (the splash screen confirms four out of five lightning bolts). Bets run from €0.10 up to €100. The core trick lives on reels 1, 3 and 5, where three flavours of Fortuna Wheel can land: Regular, Super and Epic. Each one is a 12-slice spinner that drops a multiplier into the Cash Prize Bar beneath the grid. Stack two or three wheels on the same spin and the bar chains them left to right, where the first value is always additive and the rest stretch or add to the pot. Three wheels showing x3, 5x and x2? You’re walking off with 16x, not 30x. That ordering quirk takes a couple of spins to internalise, honestly.
Free spins arrive in three escalating shapes, decided purely by how many FS scatters you catch at once. Three scatters open Lucky Charm (10 spins, more wheels). Four trigger She Who Spins, which strips Regular wheels out of the pool entirely. And five hit the hidden Fortune Is Blind bonus, where three Super or Epic wheels are guaranteed every single spin. Extra scatters during the round add 2 or 4 more spins.
Don’t fancy waiting? The Buy Bonus menu offers three tiers: Bonushunt for 5x trigger frequency, Fortuna’s Favor for at least one wheel per spin, and Roll the Dice for three Super/Epic wheels each carrying a Jackpot slice. The four jackpot prizes themselves sit at MINI 25x, MAJOR 100x, MEGA 500x and the headline MAX WIN of 10,000x your stake, achievable in any mode.
Is the 14-line grid restrictive compared to Hacksaw’s wider cluster titles? Sure, a bit. But the wheel-stacking maths and the jackpot ladder do most of the heavy lifting, and the artwork is genuinely some of the studio’s prettiest work this year.